For no one's better sake
Michelle | 16 | Arizona
| Art, Fashion, Music, Movies |
For no one's better sake
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"I just want someone who won’t get annoyed when I text them six times or in all caps. Someone I can go on long drives with and can sing along to the radio with. Someone I can eat pizza with at 2am and kiss at 6pm. Someone who chooses me everyday and never thinks twice about it."
(via fawun)
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odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
odditiesoflife:




Seeing History in Color
Colorization has become increasingly popular lately, and the creators behind this new breed of updated imagery use all the technological resources of the last 20 years to strive for more than just plausibility — their aim is for historical authenticity. Image specialist Jordan J. Lloyd has achieved a way to do so that pays homage to the photo and to history. 
Lloyd is a specialist at a digital image agency and his work there is something of a digital counterpart to what wax workers at Madame Tussaud’s do while making their human sculptures — he provides the nuance that creates an illusion of vitality. While anyone with a computer and the financial resources could potentially try their hand at colorization, however like most pursuits it takes someone devoted to the craft to master it, with coloring that looks natural and real:
Reality standing in front of contradiction, 1930s
Unemployed lumber worker, circa 1939
Hindenburg Disaster – May 6, 1937
Auto wreck in Washington D.C, 1921
Kissing the war goodbye, V-J Day August 14, 1945
Albert Einstein, Nassau Point, Long Island, NY, Summer 1939
"Old Gold," country store, 1939
British troops cheerfully board their train for the first stage of their trip to the front – England, September 20, 1939
Thich Quang Duc, 1963
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remember all their faces, remember all their voices

remember all their faces, remember all their voices

remember all their faces, remember all their voices

remember all their faces, remember all their voices
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fuckyeahalien:

Full photo of the original Xenomorph. As you may know, there are almost no shots of the Xenomorph’s whole body, so this is probably a continuity/development shot not originally intended for release. 
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loviely:

cuteys:

intricut:

awmygosh:

Cat audition for Sabrina the Teenage Witch for the role of Salem

i love this

new favorite photo

i really wonder which one won omg
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Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.

Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one - the day you die.
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yourmilkturnstocream:

Miss World